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The study explores the topic of migration - in the sense of living together, the interpretation of foreign worlds and the collective development of meaning - from an aesthetic-theatrical perspective. How are social orders shaped in theatre pedagogical settings with children in the context of flight and migration? Within the framework of a videography, the author develops an analytical procedure that makes it possible to do justice to the specific nature of aesthetic-theatrical play situations. The results show the way in which imagination is linked to the creation of social orders.
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